It is often the case that what one initially thinks of as a heterogeneous collection of works in fact, when assembled, turns out to be anything but. There are three distinct lines of thought at play here: the linguistic, the machinic and the Body without Organs. If my original plan was to take the spirit of A Thousand Plateaus as my starting point for this work, then said work is turning out to be quite literal in its influences.
I know they’re coming. Don’t know when, but sometime over the next few weeks I’ll have to deal with “I don’t understand”s all over again.